You and your group have been asked to design a mobile service that provides route navigation information; the aim is to lead the user from their starting point to a destination. The intended platform is a pocket-sized PC that includes a high-resolution display and audio output facilities.

Please see attachment for same instructions screen shot.

Assignment Instructions

Assignment Instructions

You and your group have been asked to design a mobile service that provides route navigation information; the aim is to lead the user from their starting point to a destination. The intended platform is a pocket-sized PC that includes a high-resolution display and audio output facilities.

Address design considerations for the following three contexts. Consider the types of route information and the means of presenting it, along with ways users might interact with the application.

Pedestrian navigation

In-car use for drive-only situations

Collaboration between driver and passenger

Assessment Rubric

Exemplary

Accomplished

Developing

Beginning

Points Available

Comments

You and your team have been asked to design a mobile service that provides route navigation information; the aim is to lead the user from their starting point to a destination. The intended platform is a pocket-sized PC that includes a high-resolution display and audio output facilities.

Exercise interpersonal/soft-skills (teamwork, communication, collaboration, et.)

Student effectively completed the assignment.

Student partially completed the assignment.

The student provided limited and meaningless substance completing the assignment.

Student failed to complete the assignment.

5

Address design considerations for the following three contexts. Consider the types of route information and the means of presenting it, along with ways users might interact with the application.

Pedestrian navigation

Student effectively completed the assignment.

Student partially completed the assignment.

The student provided limited and meaningless substance completing the assignment.

Student failed to complete the assignment.

30

Address design considerations for the following three contexts. Consider the types of route information and the means of presenting it, along with ways users might interact with the application.

In-car use for drive-only situations

Student effectively completed the assignment.

Student partially completed the assignment.

The student provided limited and meaningless substance completing the assignment.

Student failed to complete the assignment.

30

Address design considerations for the following three contexts. Consider the types of route information and the means of presenting it, along with ways users might interact with the application.

Collaboration between driver and passenger

Student effectively completed the assignment.

Student partially completed the assignment.

The student provided limited and meaningless substance completing the assignment.

Student failed to complete the assignment.

30

Writing Format

Write the paper in APA format. Grammatical, spelling or punctuation—the writing is grammatically correct, clear and concise. The response is well formulated and easy to read and understand. Correct terminology was used when needed. See references below:

What is Plagiarism and How to Avoid It: http://www.youtube.com/watch?v=eIsLV9zOOe0

Writing Help: http://apus.libguides.com/c.php?g=241212&p=1603794

Purdue Online Writing Lab: https://owl.english.purdue.edu/owl/resource/560/01/

APA and MLA Citation Game Home Page: http://depts.washington.edu/trio/quest/citation/apa_mla_citation_game/

Student effectively wrote the paper using provided format.

Student partially wrote the paper using provided format.

Student wrote the paper with limited and meaningless use of provided format

Student failed to use provided format.

5

Total

100

Submission Instructions:

Navigation information may be presented textually, graphically and via audio. Some sense of these modes, and combinations of them, will be more appropriate in certain situations than others. For the driver alone in the car, spoken instructions would seem the most useful; in the street, directional graphics to point the way may be more effective. A range of levels of information abstraction may be helpful to users; pictures or descriptions of landmarks along the route are examples of low-level, detailed information (shown to be particularly useful for older users), while more abstract map overviews can be vital aids for planning.

Submit the completed assignment with all the names of the group members included. Each member of the group must submit a copy of the assignment to get a grade.

************

Browse through the partner museums and select one that has a “Museum View” or “Street View”

STEP 1: VISIT > https://artsandculture.google.com/partner?hl=en. Browse through the partner museums and select one that has a “Museum View” or “Street View” (typically if you scroll to the bottom, it will appear above the map).It is important to make sure your selected museum has a “Museum View” or “Street View” of inside the galleries of the museum – not all do. Please confirm this before moving to step two. For example, the National Museum of Art in Washington DC doesn’t have a Museum View so you can’t pick it but MoMA or the Tokyo Fuji Art Museum does! Please also make sure to pick an art museum, as you’ll need to write about a work of art. So, sadly, no history museums like the Anne Frank House, NASA, or Smithsonian National History Museum. STEP 2: Select a work of art from your museum within the Museum/Street View or collections page. You’ll want to pick a work here so that you can analyze where it’s located, what’s next to it and what kind of frame it has. It will look like this or if you found it by looking through that museum’s collection, it will look like the second image. STEP 3: When you’ve found your artwork, click on the entry to learn more about your individual artwork. Spend some time clicking around the room it’s in, seeing what’s next to it and what the architecture of the space is like.STEP 4: Time to answer some questions!
QUESTIONS TO ANSWER IN YOUR REPORT

Font & Spacing: 12pt, Times or Arial; Single or double-spaced is fine.
Length: 1000 words (ok to go over).
Style: Write in complete sentences and with college-level spelling and grammar. Answer each question in the next section with about 150-200 words of text in a paragraph (not bullet points).
Underlining: Please underline any art or art history specific vocabulary.
Format: You can format your paper either with headings for each question OR as an essay with paragraphs for each question.
Sources: you need at least two sources (cannot include Wikipedia) and to include Works Cited that is correctly formatted in MLA style.
You should also use in-text citations when referring to information that is taken from your sources. This lets the reader know what are your ideas and words vs. those that are from someone else.
You’ll include citations if you paraphrase, directly quote, or refer to information and concepts that come from other people.
Remember that what you list in your Works Cited page are sources that you actually cite in your report. This is not a bibliography so it’s not sources that you used for research.
The artwork alone and by itself is not considered a source. If there was an essay that accompanied it, then yes, you can list that as one of your sources.
Visit and artwork information
The name of the art museum
Artist name, title (in italics), date, and medium of your artwork (what your artwork is made from)
The movement or time period your artwork is a part of.
Example: Northern Renaissance, Modern, Impressionism, Ancient Egypt, etc.
Use ‘Contemporary’ for anything generally made since 1980.
Link to artwork’s entry page
Image of your selected artwork if you can
Google Arts & Culture doesn’t allow downloads, so you may need to Google the work to find a jpeg. You can also take a screenshot. BUT if this is beyond your tech capabilities, no stress, just include a link to the artwork entry and I’ll see it that way.
Analysis of Subject Matter, Form, and Material: Describe the work’s subject matter and/or form (Formal Analysis). Include what the work if made from (its medium).
What is being depicted in your artwork? You’ll also think about why the artist selected what they did to make the work from. Describe the work as if the reader does not have a copy of the artwork to look at. What forms, objects, people, setting, etc. are being depicted? Ex: People of various ages and nationalities are sitting in a tight circle talking in an animated fashion. Or if abstract: Angular geometric shapes are spinning wildly out of control. What is your work made from and why do you think your artist chose this material? Why do you think your artist chose to make a 2D or 3D work of art instead of the opposite? Is the material malleable or hard.
In this same section, work in the vocabulary we’ve been learning and using in class as well as the more universal principals of art and the elements of design (pattern, contrast, emphasis, balance, scale/proportion, harmony, rhythm/movement; line, shape, form, color, texture, space, value). Use your book as a resource and make sure to underline the words when you use them. Ex: The paint is applied in thick, short strokes. Or Ex: the surface of the sculpture is smooth and polished. Ex: A dim blue light creates a somber mood. Do you think the artist expected the viewer to see the work from all angles or would they have preferred the viewer to stand in one location? Does anything about the work make you think the artist considered what kind of lightening would surround the work? Do you have a favorite viewpoint? Why? If the artist made a mistake do you think it would be easy to correct it with this material?
Analysis of History/Culture and Theme: What is the historical and/or cultural context of the work? What is the work’s content and purpose?
Here you’ll think about how the time and place the artwork was created in influence the piece. Describe the content (meaning) of the work as the artist intended AND as you see it. Include historical information that helps to explain the context in which the work was created. Remember – this isn’t the time period being depicted in the artwork, more the time and place the artist was living in. You most likely will need to do some research to be able to answer this question. If you do so, make sure to cite your sources. You most likely will need to do some research to be able to answer what the artist intended this work to be about if it is not clearly stated at the museum. If you do so, make sure to cite your sources.
You don’t need to answer all these questions but these will help guide you: What do you think about what is taking place in the time period when this work was made? Was it a certain era of Ancient Greece or during World War II in Germany? Did something happen in the artist’s life that influenced the work such as was this made after a wonderful or traumatic event in their life? Where was the work meant to be seen and experienced – was it for a church, home, outdoors, or indoors? How does that influence the work (ex. maybe it’s made of something particular to help with it being outside)?
You don’t need to answer all these questions but these will help guide you: Does your work related to a community issue, embody religious or spiritual beliefs? Does it reference the cycle of life (births, family, aging, death, etc.) or is it related to science or technology? Is it referencing a ruler or leader? Episodes of war or times of conflict? Concern for a societal issue? Is the body depicted or identity or gender? How does the title of the work help you reach that conclusion? What is the artist trying to communicate? Sometimes this is left open and the artist wants the viewer to create their own meaning. Was this work criticism of something or created in praise and celebration? Was it to commemorate an event or for worship and ritual? Was it for self-expression or delight? Is there anything symbolic in the work (what we call iconography)? What emotions do you see and feel in the work? How does it speak to you personally? You don’t need to answer all these questions but these will help guide you.
Installation of the artwork: Why is it where it is?
This is where you’ll think about how the artwork is installed.
You don’t need to answer all these questions but these will help guide you: What is the room like? Is your work exhibited with pieces by other artists that are similar in style? Was your work of art placed near other objects from the same era? Are works organized by culture or time? What else is in the room? What is the frame like, wall color, lighting? Is it inviting or not? Is there a bench to allow you to (virtually) sit and contemplate the work more?
The Museum: What was your museum like?
This is where you’ll think about what the museum’s purpose was and how that’s translated in the viewer’s experience.
You don’t need to answer all these questions but these will help guide you: When was your museum founded and by who? What kind of collection does it have? What style is the museum built in? Does the style of the building relate to the type of art on display inside? How does light and space in your museum affect your perception of the works of art?
Research: How does some research help your interpretation of the artwork and museum in general?
After doing a bit of research on the artwork and/or artist, what did you find of interest to you and what helped you to appreciate the work more?
Some of this may be biographical; other information might be personal (such as this was painted during a time the artist lived in a small seaside town). Can you make any connections to works we’ve studied in class? Look for any wall labels or information at the museum that can help you with this. You most likely will need to do some research to be able to answer this question so make sure to cite your sources.
Personal Reflection: What was your take on the work and your virtual visit to the museum?
This is your personal reflection section.
You don’t need to answer all these questions but these will help guide you: Why did you end up picking this work and what about it was intriguing to you? Is there a personal story that you’d like to share that relates to this artwork? In what way did seeing it in the museum (virtually) enhance your experience? Did you notice new or different things over time when you zoomed in? Did you have expectations about what you were going to see or what the museum was going to be like? How did you experience reinforce or challenge your previous ideas about museums? Why would you encourage your reader to go or not?
Works Cited
This is where you’ll include your sources (at least two, neither can be from Wikipedia). You’ll use MLA style for this but it does not have to be on its own page.
You should also use in-text citations when referring to information that is taken from your sources. This lets the reader know what are your ideas and words vs. those that are from someone else.
You’ll include citations if you paraphrase, directly quote, or refer to information and concepts that come from other people.
Remember that what you list in your Works Cited page are sources that you actually cite in your report. This is not a bibliography so it’s not sources that you used for research.
The artwork alone and by itself is not considered a source. If there was an essay that accompanied it, then yes, you can list that as one of your sources.

Discussion 1 Define the Brand in terms of Marketing.

Discussion 1

  1. Define the Brand in terms of Marketing.
  2. What are Three examples of brands and companies you like and explain why you like those particular brands versus others?
  3. Name Three Brands you can’t stand and Why?
  4. Convince me to buy one of the Brands you can’t stand by making a marketing pitch.

300 Word Minimum

Discussion 2

1.

a. When you get your hair cut or go to the stylist, what’s the “core” of what you buy vs. what are the “value-addeds” in the purchase?

b. When you go to a consultant? What’s a consultant’s core vs. value-addeds?

c. When you purchase Music? What is the core vs. value-addeds for the music?

2. Consider one of this purchases: A time-share condo. What elements are tangible vs. intangible? How do the tangible vs. intangible components contribute to your satisfaction or dissatisfaction with the consumption?

200 words minimum

What are your thoughts about the current approaches to disease prevention and control? In what ways do you think they support the nation’s public health agenda?

What are your thoughts about the current approaches to disease prevention and control? In what ways do you think they support the nation’s public health agenda?

REPLY TO MY CLASSMATE’S RESPONSE TO THE ABOVE QUESTIONS AND EXPLAIN WHY YOU AGREE? (A MINIMUM OF 150 WORDS or MORE EACH QUESTION)

The research is public and increases in tobacco taxes decrease tobacco use. Raising taxes on tobacco and thereby increasing its price is one of the most effective ways to reduce tobacco use. Prices affect virtually all measures of cigarette use, including per-capita consumption, smoking rates and the number of cigarettes smoked daily. These effects apply across a wide range of racial and socioeconomic groups. Smoking-related illnesses remain the leading cause of preventable death in the United States, with more than 540,000 deaths annually, and cost the country more than $300 billion each year, including $170 billion for direct medical care for adults and more than $156 billion in lost productivity. Yet the federal tax on cigarettes has not increased since 2009, when the Children’s Health Insurance Program Reauthorization Act raised the tax to $1.01 per pack. State taxes per cigarette pack average $1.78, with rates ranging from 17 cents in Missouri to $4.50 in Washington, D.C.

On the federal level, revenue from cigarette and tobacco taxes helps fund programs that support children and adults across the country, including the Children’s Health Insurance Program (CHIP). CHIP provides health insurance to many children in the U.S.

In 2019, revenues from tobacco tax amounted to 12.46 billion U.S. dollars. The forecast predicts a decrease in tobacco tax revenues down to 11.55 billion U.S. dollars in 2025. Total U.S. government revenue in 2018 was 3.5 trillion U.S. dollars. This is not even close to the monies funded which in taxes are levied. No tax increase since 2009.

After reading these statements and statistics, I want to know where the excess of 3.5 trillion bucks went.

References

https://truthinitiative.org/research-resources/tobacco-prevention-efforts/importance-tobacco-taxes

https://www.statista.com/statistics/248964/revenues-from-tobacco-tax-and-forecast-in-the-us/