Provide specific information and a description of at least two (2) pieces. Provide a summary of the event and describe your overall reaction after attending the event.

As a way of experiencing the Humanities beyond your classroom, computer, and textbook, you are asked to do a certain type of “cultural activity” that fits well with our course and then report on your experience.   Your instructor will require you to propose an activity and get instructor approval before you do it and report on it (students should look for any instructions in that respect). Every effort should be made to ensure that this is a hands-on experience (not a virtual one), that this activity fits the HUM 112 class well, and that the activity is of sufficient quality for this university course. The two (2) key types of activities are a museum visit or a performance. Note: This must not be a report on the same activity (and certainly not the same report) as done for another class, like HUM 111. For instance, one might go to the same museum as done for HUM 111, but this HUM 112 report will focus on entirely different works and displays.

  1. Visit a museum or gallery exhibition or attend a theater, dance, or musical performance before the end of Week 10. The activity (museum or performance) should have content that fits our course well. Have fun doing this.
  2. Write a two to three (2-3) page report (500-750 words) that describes your experience.
    • Clearly identify the event location, date attended, the attendees, and your initial reaction upon arriving at the event.
    • Provide specific information and a description of at least two (2) pieces.
    • Provide a summary of the event and describe your overall reaction after attending the event.
    • Use at least the class text as a reference (additional sources are fine, not necessary unless required by your content). Your report should include connections you make between things observed in your activity and things learned in the course and text.

Note: Submit your cultural activity choice to the instructor for approval before the end of Week 5 (earlier is even better). Look for guidance from the instructor for how or where to make your proposal. You may also seek advice from your instructor (provide your town / state or zip code) for a good activity in your general area.

Visiting a Museum

  • It makes sense to approach a museum the way a seasoned traveler approaches visiting a city for the first time. Find out what is available to see. In the museum, find out what sort of exhibitions are currently housed in the museum and start with the exhibits that interest you.
  • If there is a travelling exhibition, it’s always a good idea to see it while you have the chance. Then, if you have time, you can look at other things in the museum.
  • Every effort should be made ahead of time to identify a museum that has items and works one can easily connect to our HUM 112 class and book. Since HUM 112 covers from 1600 AD to the present, it makes more sense to focus on items from this time frame. In general, museums with fine arts work better than history museums.
  • Any questions about whether a museum-visit activity fits the course and assignment well enough will be decided by the instructor when the student seeks approval for the activity. Any alternative activity outside the normal ones listed here, such as for those limited by disability or distance, will be determined by the instructor. Normally, we do not expect students to travel over an hour to get to an approved activity.
  • Make notes as you go through the museum and accept any handouts or pamphlets that the museum staff gives you. While you should not quote anything from the printed material when you do your report, the handouts may help to refresh your memory later.
  • The quality of your experience is not measured by the amount of time you spend in the galleries or the number of works of art that you actually see. The most rewarding experiences can come from finding two or three (2 or 3) pieces of art or exhibits which intrigue you and then considering those works in leisurely contemplation. Most museums have benches where you can sit and study a particular piece.
  • If you are having a difficult time deciding which pieces to write about, ask yourself these questions: (1) If the museum you are visiting suddenly caught fire, which two (2) pieces of art or exhibits would you most want to see saved from the fire? (2) Why would you choose those two (2) particular pieces?

Attending a Performance

  • Check your local colleges to see if there are any free or low-cost performances or student recitals. Student performances are generally of almost the same quality as professional performances, but typically cost much less. However, performances of high school level or lower will not meet this requirement.
  • Try to do a quality performance that fits the class subject matter well. Sorry—but this is not for pop music or rock music, rap, country music, gospel music, comedy routines, your kid’s dance recital, your international friend’s wedding, high school plays, renaissance fairs, etc. Instead, think of college level or professional recitals, string quartets, symphony orchestras, opera, jazz, some stage dramas, etc.
  • Any questions about whether a performance activity fits the course and assignment well enough will be decided by the instructor when the student seeks approval for an activity. Any alternative activity outside the normal ones listed here, such as for those limited by disability or distance, will be determined by the instructor. Normally, we do not expect students to travel over an hour to get to an approved activity.
  • Unlike visiting a museum, where you can wear almost anything, people attending performances are often expected to “dress up” a bit.
  • Take a pen or pencil with you and accept the program you are offered by the usher; you will probably want to take notes on it during or after the performance.
  • Turn off your cell phone before entering the auditorium. Do not use your phone to record the music or to take pictures or videos. To play it safe, turn the phone off.
  • Most long musical performances have at least one (1) intermission. If the lights start blinking, it is the sign that the performance is about to begin.
  • Look for very specific things (such as a particular piece of music or the way certain instruments sounded at a specific time) which tend to stand out as either enjoyable or not enjoyable. Be sure to take notes of the things which you find enjoyable as well as the things which are not enjoyable.

Note: If a student is unable to attend a cultural event in person due to circumstances beyond the student’s control, then the instructor will recommend an alternate event / activity for the student to “attend” online. The “virtual” event / activity is usually only for students who, due to their physical location, cannot possibly attend an event / activity in person; typically, these students are stationed overseas or have no means of transportation. Experience shows most museums and activities are modest in cost and manageable for students, and you will often see students from other universities there on similar course projects. If you are facing financial hardship, keep in mind that many museums have a free day each week and performance discounts are often available for students and veterans, among others. Feel free to ask your instructor to help with finding low-cost options. If you believe that you have a legitimate reason for attending a “virtual” activity, you must contact the instructor no later than Week 5 for your request to be considered.

Your assignment must follow these formatting requirements:

  • Be typed, double spaced, using Times New Roman font (size 12), with one-inch margins on all sides; citations and references must follow APA Style format. Check with your professor for any additional instructions. (Note: Students can find APA style materials located in the Additional Resources section of their Student Center within their course shell for reference)
  • Include a cover page containing the title of the assignment, the student’s name, the professor’s name, the course title, and the date. The cover page and the reference page are not included in the required assignment page length.

The specific course learning outcomes associated with this assignment are:

  • Explain the importance of situating a society’s cultural and artistic expressions within a historical context.
  • Examine the influences of intellectual, religious, political, and socio-economic forces on social, cultural, and artistic expressions.
  • Use technology and information resources to research issues in the study of world cultures.
  • Write clearly and concisely about world cultures using proper writing mechanics

Grading for this assignment will be based on answer quality, logic / organization of the paper, and language and writing skills, using the following rubric here.

What kind of management orientation style (ethnocentric, polycentric, regiocentric, geocentric) would you use to be most effective given the cultural attributes of the country?

  write 400–600 words that respond to the following questions with your thoughts, ideas, and comments 

Consider an organization you work for, have worked for, or would like to work for.  Then, identify a country in which they do business or might do business outside of the United States. You also may select a company in contemporary business news that conducts business globally.

Discuss the key differences in cultural variables between the United States and the country that are important when conducting business in the selected country. What are the implications of these differences for the practice of business? Consider political, economic, legal, educational, and social systems of the selected country.

Include a response to the following questions in your discussion writing at least one paragraph for each bullet point:

Describe globalization and its benefits to business operations.

What kind of management orientation style (ethnocentric, polycentric, regiocentric, geocentric) would you use to be most effective given the cultural attributes of the country?

How would you overcome the anticipated barriers to communication? Provide specific examples. 

Technology is all around the workplace. The process of learning is not immune from technology and is increasingly a part of the training and development strategy. Modern organizations are using technology to reach out to a broader audience.

In this assignment, you will explore the role that technology plays in the modern training organizations. In addition, you will examine the appropriateness of various technology solutions.

Technology can be a vital component of training delivery.

Tasks:

Using the course readings, the Internet, and your knowledge, respond to the following points:

  • Illustrate how technology can benefit the transfer of learning.

Use specific examples from your own experience or research how other organizations have utilized technology in learning.

  • Comment on the appropriateness of the technology implemented to facilitate the transfer of learning.

What is each piece of writing you’ve examined arguing for or recommending? What is the “main point” of each piece you read within this category?

Choose another one of the four “categories” for this week’s readings (Native Americans; Democracy, Government, and Individualism or Race and Slavery). You may not write about the same category you chose for Journal #4; if you write about the same topic twice, your Journal #5 entry will not earn credit. Read each text in your chosen category carefully, and watch the Optional Crash Course Video associated with that category.

Then, in a journal entry of at least one full page (not less than 250 words), respond to most of the following prompts and questions:

  • What is each piece of writing you’ve examined arguing for or recommending? What is the “main point” of each piece you read within this category?
  • Do any or all of the assigned readings seem to be in conversation with one another? Are they discussing the same issues? Do they mention one another at all? Did the writers know one-another? (Just discuss any connection you see between the texts in your chosen category.)
  • How do the different writings compare to one another? Do they all agree or are there variations? What are those variations and why do you think they exist?
  • Do any of the pieces in your chosen category seem out of place? If so, what category could those out of place pieces belong to instead? Or do they not seem to fit any of this week’s categories? Explain your answer.
  • Which argument is strongest? Which is weakest? What specific details helped you determine the strength or weakness of each argument?

What do  you think, as you reflect back, was the fairest way to resolve the issue?  Why do you think I’m asking this question in relation to the Led Zeppelin case?

The first is a question about your reaction to the readings about the Led Zeppelin trial, the article website: http://www.latimes.com/local/lanow/la-me-ln-led-zeppelin-copyright-20160614-snap-story.html

The second is an exploration of how we respond to different versiosn of the same piece of music.

choose from the following lists.

  • Amy Winehouse -Rehab
  • Louis Armstrong & His Hot Five -West End Blues
  • Ethel Waters -West End Blues
  • Big Mama Thornton -Hound Dog – Single Version
  • Elvis Presley -Hound Dog
  • Roy Orbison -Oh, Pretty Woman
  • Royal Philharmonic Orchestra -Oh, Pretty Woman
  • Count Basie -Oh, Pretty Woman
  • The Jimi Hendrix Experience -Purple Haze
  • Kronos Quartet -Hendrix: Purple Haze
  • Eddie Cochran -Summertime Blues
  • Blue Cheer -Summertime Blues
  • Dave Brubeck -Take Five
  • New York Ska-Jazz Ensemble -Take Five
  • Trevor Pinnock -Pachelbel: Canon and Gigue in D major – 1. Canon
  • The London Symphony Orchestra -Canon in D Major (Pachelbel) (from “Ordinary People”)
  • Jean-François Paillard -Canon in D
  • Johann Pachelbel -Canon in D (Ocean New Age)
  • Judy Garland -Somewhere Over the Rainbow
  • E. T. O. (Electronica Techno Orchestra) -Somewhere Over the Rainbow

1)  Have you ever felt that an expressed idea of yours (a thought spoken or written; a solution to a problem; a creative work; a research paper, etc.) was “borrowed” by someone else and you weren’t given the proper credit?  Or conversely, that something you received credit for couldn’t have happened without the hard work of someone else?  I’m not interested in catching anybody in some sort of admission of guilt here, so it’s perfectly appropriate to use some else’s experience for purposes of the discussion.  What I want to know is, how did you (or whoever) deal with this situation.  What do  you think, as you reflect back, was the fairest way to resolve the issue?  Why do you think I’m asking this question in relation to the Led Zeppelin case?

2)  Take any pair of pieces (except for the Amy Winehouse song) on this week’s listening list (three in the case of the Pachelbel “Cannon” and in “Oh, Pretty Woman”) and talk about the differences that you hear in the performances.  Which do you like more? Why? Are there differences in “honesty” in the pair (trio or quartet), or is it just a case of knowing the original intent of the music? In other words, is the performance somehow  expressive in a way that makes you feel that the performers (arrangers composers, etc.) are speaking more directly to you? Can you discern differences in “intent” (what effect was being pursued) between the two.