Literary Theory Fairy Tale Assignment

You will be applying six theories to a fairy tale listed on the handout. The handout contains the instructions and a sample using Goldilocks and the Three Bears.

 

ONE STORY – SIX LENSES

The following are various interpretations of the same work, the well-known fairy tale “Goldilocks and the Three Bears”, using critical theory. If you are not familiar with this story, read it here:

Goldilocks and the Three Bears

Image result for bowl of cereal black and white clipartFormalist Analysis There are clear themes in Goldilocks and Three Bears, such as “trial and error”, and “the importance selecting correctly”. Additionally, the items owned by each of the bears are covertly symbolic: The mother’s chair is too soft, representing her maternal and feminine nature. The father’s chair is too hard, representing his strict authoritarian ways. Only baby bear’s chair, representative of the innocence of childhood, is suitable for Goldilocks. When Goldilocks tastes the mother’s porridge it is too hot, and scalds her lips. This is a larger metaphor for the pain experienced during adolescence and coming-of-age. Additionally, Goldi’s transition from the wilderness of nature to the shelter of the bear’s home suggests that she is leaving the purity and innocence of childhood (such as the purity and innocence of nature) and maturing into the structured life of an adult.

Biographical Analysis Joseph Cundall, the author credited with reimagining the Grimm’s brothers tale into a more child-friendly story, had clearly been influenced by elements of his own life and era in his reconstruction of Goldilocks and the Three Bears. In the original Grimm’s tale, Goldilocks is in fact a haggard old woman. Cundall altered the character to be the youthful, blonde, and spirited youngster: a verisimilar imitation of his younger sister. Additionally, Goldi’s sampling of porridge is reflective of his own childhood with porridge as a main staple and common dish.

Image result for wooden chair black and white clipartMarxist Analysis The set of three options presented to Goldilocks are representative of the lower, middle, and upper social classes of the 19thcentury

The father’s chair, which is “too hard” is representative of the struggle and misery of the working class (notably, lower class men were relegated to hard labor in this century). The mother’s chair, which is “too soft” represents the excess and comfort available to the aristocracy. The baby’s chair, which is “just right” represents the comfortable, albeit simple, quality of life of the middle class. Just as many countries struggle to establish a stable middle class, Goldilocks struggles to find the right item to fit her basic needs.

Image result for goldilocks and the three bears black and white Historical Analysis The story of Goldilocks, passed down from the oral tradition before its adaptation, is emphatic in its usage of the number three. The usage of number three was quite popular with 18thcentury British writers, and is a common trope in tales constructed during this era (see: The Three Little Pigs). Additionally, stories featuring young, spirited, and beautiful heroines were a source of fodder for most British authors.

Mythological/Archetypal Analysis The character of Goldilocks is reflective of the common archetype of the young, adventurous, and often overly-confident heroine. Additionally, her journey mirrors many stages of a common mythological pattern: the Hero’s Journey or Monomyth. Stages include: The Ordinary World –Goldilocks comes from the ordinary world of her village. The Call to Adventure –Goldilocks journeys through the woods in search of new experience. Tests and BattlesGoldilocks tests each of her options. She finds solace in baby bear’s items. She makes enemies upon the bear’s arrival home.

Feminist Analysis

Image result for goldilocks black and whiteFeminist Analysis Goldilocks represents the modern woman: she travels independently, without the accompaniment of a male escort, and is seeking her own happiness via exploration. Her entering the bear’s house is an act of aggression not typically seen in a female, and her presence in the bear’s home is a threat to the nuclear family, a common construct of the patriarchy. Lastly, it is notable that Goldilock’s main dilemma is one of choice, a problem in clear contrast to that of most women of her day who were limited in their freedom of choice.

ASSIGNMENT:

Create a short analysis of any well-known fairy tale, applying each critical theory (you will either have to do research or get creative for the Biographical analysis). Use the handout as a model. You cannot choose “Goldilocks and the Three Bears.” Suggested fairy tales include:

Little Red Riding Hood

The Sword and the Stone

The Three Little Pigs

Hanzel and Gretel

Choose ONE fairytale. Write a paragraph for each of the six theories as demonstrated with Goldilocks and the Three Bears.

ONE STORY – SIX LENSES

The following are various interpretations of the same work, the well-known fairy tale “Goldilocks and the Three Bears”, using critical theory. If you are not familiar with this story, read it here:

Goldilocks and the Three Bears

Image result for bowl of cereal black and white clipartFormalist Analysis There are clear themes in Goldilocks and Three Bears, such as “trial and error”, and “the importance selecting correctly”. Additionally, the items owned by each of the bears are covertly symbolic: The mother’s chair is too soft, representing her maternal and feminine nature. The father’s chair is too hard, representing his strict authoritarian ways. Only baby bear’s chair, representative of the innocence of childhood, is suitable for Goldilocks. When Goldilocks tastes the mother’s porridge it is too hot, and scalds her lips. This is a larger metaphor for the pain experienced during adolescence and coming-of-age. Additionally, Goldi’s transition from the wilderness of nature to the shelter of the bear’s home suggests that she is leaving the purity and innocence of childhood (such as the purity and innocence of nature) and maturing into the structured life of an adult.

Biographical Analysis Joseph Cundall, the author credited with reimagining the Grimm’s brothers tale into a more child-friendly story, had clearly been influenced by elements of his own life and era in his reconstruction of Goldilocks and the Three Bears. In the original Grimm’s tale, Goldilocks is in fact a haggard old woman. Cundall altered the character to be the youthful, blonde, and spirited youngster: a verisimilar imitation of his younger sister. Additionally, Goldi’s sampling of porridge is reflective of his own childhood with porridge as a main staple and common dish.

Image result for wooden chair black and white clipartMarxist Analysis The set of three options presented to Goldilocks are representative of the lower, middle, and upper social classes of the 19thcentury

The father’s chair, which is “too hard” is representative of the struggle and misery of the working class (notably, lower class men were relegated to hard labor in this century). The mother’s chair, which is “too soft” represents the excess and comfort available to the aristocracy. The baby’s chair, which is “just right” represents the comfortable, albeit simple, quality of life of the middle class. Just as many countries struggle to establish a stable middle class, Goldilocks struggles to find the right item to fit her basic needs.

Image result for goldilocks and the three bears black and white Historical Analysis The story of Goldilocks, passed down from the oral tradition before its adaptation, is emphatic in its usage of the number three. The usage of number three was quite popular with 18thcentury British writers, and is a common trope in tales constructed during this era (see: The Three Little Pigs). Additionally, stories featuring young, spirited, and beautiful heroines were a source of fodder for most British authors.

Mythological/Archetypal Analysis The character of Goldilocks is reflective of the common archetype of the young, adventurous, and often overly-confident heroine. Additionally, her journey mirrors many stages of a common mythological pattern: the Hero’s Journey or Monomyth. Stages include: The Ordinary World –Goldilocks comes from the ordinary world of her village. The Call to Adventure –Goldilocks journeys through the woods in search of new experience. Tests and BattlesGoldilocks tests each of her options. She finds solace in baby bear’s items. She makes enemies upon the bear’s arrival home.

Feminist Analysis

Image result for goldilocks black and whiteFeminist Analysis Goldilocks represents the modern woman: she travels independently, without the accompaniment of a male escort, and is seeking her own happiness via exploration. Her entering the bear’s house is an act of aggression not typically seen in a female, and her presence in the bear’s home is a threat to the nuclear family, a common construct of the patriarchy. Lastly, it is notable that Goldilock’s main dilemma is one of choice, a problem in clear contrast to that of most women of her day who were limited in their freedom of choice.

 

ASSIGNMENT:

Create a short analysis of any well-known fairy tale, applying each critical theory (you will either have to do research or get creative for the Biographical analysis). Use the handout as a model. You cannot choose “Goldilocks and the Three Bears.” Suggested fairy tales include:

Little Red Riding Hood

The Sword and the Stone

The Three Little Pigs

Hanzel and Gretel

 

Choose ONE fairytale. Write a paragraph for each of the six theories as demonstrated with Goldilocks and the Three Bears.

Constructing Your Writing Notes

Assignment 1, Milestone 1: Writing Notes (GRADED)

writing notes

Now it’s time to discuss the topic you’ve chosen to focus on for the remainder of this project! In this assignment, you’ll use a guided prompt to write notes that will help you better understand ways to approach the persuasive essay. When following the guide, remember to use instructor feedback from Week 1 when discussing your topic. If you’re still unsure if the topic is fulfilling the minimum requirements of the project, here’s a quick reminder: 1) it has two logical sides to the issue, 2) it is researchable, and 3) it is related to your career or degree. If you have questions or concerns, please be sure to contact your instructor as soon as possible. You can email or use the General Questions board found in Blackboard.

Constructing Your Writing Notes

The questions below will ask you to consider how the following critical elements relate to your topic:

  • argument*
  • key points*
  • audience*
  • goal*
  • potential resources*
  • evidence*

This process will allow you to develop a potential structure for effectively persuading readers to agree with your argument. This plan will be helpful in keeping your thought process on track when you begin writing and revising your essay. Each response should be one fully developed paragraph in length (5-8 sentences).

As you work on the Writing Notes, remember to refer to the assignment guidelines and rubric (click here) to make sure you’re fulfilling each aspect of the assignment. You can also download/print the rubric.

Your responses will be saved to the Notebook, which can be found under the “Tools” menu signaled by the wrench icon on the upper right side of the screen. In this view, all the responses will be saved separately. You can also download all of your responses to a single Word document by following the directions at the bottom of this page. Note that you must click “Submit” to add your responses to the Notebook and be able to download them later.

(1) Your argument is the main point that you are trying to make in your essay. It should clearly state your opinion on your topic. Describe the argument to be addressed in your persuasive essay and include how the argument is derived from your major, the major you are considering pursuing, or your field of work.

 

(2) Key points are pieces of evidence that support an author’s main argument. What are three possible key points for your selected topic? How do they support your main argument?

 

(3) Your audience is the people you are addressing in your essay. Who is the audience that will be reading your essay? What potential challenges will you have supporting your argument with this demographic?

 

(4) Your goal is the end result that you wish to achieve in writing this essay. What goal do you hope to accomplish with this essay? What will this essay need to be successful?

 

(5)  Potential resources are pieces of evidence that could be used to support your argument. List potential resources that could be used as supporting evidence for your argument, and provide a brief description of each and how they will reinforce your argument.

 

(6) Using the resources you identified above, align specific key points of your argument with your supporting resources to begin to establish an effective essay structure.

 

(7)  Based on your argument, determine strategic places where integrating evidence would be most effective and provide rationale for each.

 

(8)

Activity: Creating Keywords (GRADED)

NOTE: This activity will be graded based on completion.

Remember your writing notes? Let’s use them to think of some keywords that can help you when it comes time to do your research! Using the guided activity below, come up with a list of potential keywords to use while conducting research for the persuasive essay. Review the examples provided to make sure you’re on the best route, and if you’d like to talk to a librarian about your choices, click the “Ask a Librarian” link on the Shapiro Library’s home page.

You will use your work in this section to help you with the Opposing Viewpoints activity coming up in 2-6.

Mind Mapping

Mind mapping* is a useful visual technique for brainstorming keywords. The brain is constantly making connections between different aspects of a problem. By capturing these connections and exploring them systematically, we are less likely to miss possible solutions. Mind mapping is also a highly visual and efficient way of organizing ideas.

To begin mind mapping, the main subject/research topic is written in the center of a sheet in a circle. New ideas are drawn in the form of spokes branching from this central idea. These ideas are likely to lead to further ideas which form new spokes and so on. It can be helpful to use different colors for different branches of the map. By the end of the mind mapping process, you will have an entire page full of keywords related to your research topic.

The first step in creating your own mind map is to grab a blank piece of paper and a pen or pencil (several different colored pens would be ideal). In the middle of the page, write down the main subject that you plan to research for the persuasive essay project. Then draw a circle around it:

From the main circle, draw lines outward to represent the main ideas:

As you dig into each of the main ideas, add sub-topics and supporting evidence:

We can take the mind map as far as it needs to go to cover all our main ideas, our sub-topics, and our relevant evidence.

After your mind map is complete, look over the results and pick out the most interesting terms that you have generated on the page—these terms are your keywords*.

Sample Mind Map

The image below depicts a sample mind map drawn out based on the research topic “the impact of technology on urban education.”

The next activity uses a rich text area. You can tab to the editor body. Press ALT-F10 to get to the toolbar. Press ESC to return to the editor body. A save button is available in the top toolbar all the way to the right and will become visible when it receives focus.
You have not yet completed the activity below.

After you have drawn out your mind map, make a list of your main topic, sub-topics, and supporting evidence in the textbox below and then click “Submit.” Your response will be saved to your Notebook, accessible through the “Course Tools” menu.

(1) Main topic:

 

(2) Sub-topics:

 

(3) Supporting Evidence:

 

(9)

Activity: Opposing Viewpoints (GRADED)

black and white chess pieces

Let’s use the keywords you brainstormed earlier in the module to conduct three separate searches in the Opposing Viewpoints or Academic Search Complete database. When conducting these searches, keep a close eye on what types of sources pop up. Are they written by professionals or academics in the field? Are they articles from one of the 24-hour news networks? What formats appear (article, journal, essay, news story, video, podcast, etc.)? How old are the sources?

The next activity uses a rich text area. You can tab to the editor body. Press ALT-F10 to get to the toolbar. Press ESC to return to the editor body. A save button is available in the top toolbar all the way to the right and will become visible when it receives focus.
You have not yet completed the activity below.

Using the textbox below, take brief notes on what you see, and experiment with your keywords to broaden or narrow your search when appropriate. Jot down the titles and authors of a couple of sources from your search, as you will be asked to reevaluate them in the next activity. Click “Submit” when you are finished with your response.

 

CASE Study 1. What Global Forces Have Contributed To The Growth Of The Cruise- Line Industry?

Read the case and answer the questions …

 

Carnival Cruise Lines: Exploiting a Sea of Global Opportunity I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied –– John Masefield, The Seekers In recent years, the call of the sea has spurred the cruise business. 67 Sea voyages, of course, have had an aura of mystique for centuries, but only in recent decades has the experience of the open sea and exotic ports of call been available to a mass market. Historically, the recreational sea voyage was an essentially elitist endeavor. Certainly, members of the lower classes occasionally found themselves on the open sea, but usually as displaced job seekers or crew members aboard ships. In recent years, however, the cruise industry has undergone a sea of change of sorts, and the demographic groups it now targets include the working middle class as well as the idle rich. What’s a Cruise, and What Happened to the Cruise Industry? A “ cruise” is a sea voyage taken for pleasure ( as opposed to, say, passage on a whaling ship, an assignment in the navy, or a ferry ride to get you from point A to point B). Typically, passen-gers enjoy cabin accommodations for the duration of a fixed itinerary that brings them back to their original point of embarkation. There was a time when ships ( called passenger liners) transported people across oceans and seas for business or pleasure, but the advent of transoceanic air service after World War II offered a speedier and less expensive alternative, and airlines captured passengers from ocean liners. The competitive balance tipped decisively in the 1960s, when advances in jet technology made air travel a viable option for a growing mass market of budget- minded international travelers. Converting more shipboard space to low- priced accommodations, shipping lines countered with the reminder that “ getting there is half the fun,” but one by one, they retired the great luxury liners that had plied the seas for decades. The Contemporary Cruise Industry Today, the cruise industry is dominated by three companies— Carnival, Royal Caribbean, and Star— which command a combined 91 percent of the market. By far, the largest of the three is Carnival Corporation, which operates a number of lines that it calls brands. Map 1.2 shows the headquarters of these brands. Carnival offers cruises to every continent on the globe, including Antarctica. Carnival Corporation was born when Ted Arison, a former partner in Norwegian Cruise Lines, saw an opportunity to expand mass- market sea travel by promoting the idea of the “ Fun Ship” vacation— an excursion on a pleasure craft designed to be a little less formal and luxurious than the traditional ocean liner. The timing was right. Sea travel still projected a cer-tain aura, and Arison found that he could buy a retired liner at a good price. Moreover, there were more people in the world who could afford an ocean- borne vacation. On top of every-thing else, a lot of these vacationers gravitated to holidays— group tours, theme- park visits, and sojourns in Las Vegas— that were compatible with the Fun Ship concept. Arison bought a secondhand ship, refurbished it in bright colors, rigged it with bright lights, and installed discos and casinos. On its maiden voyage from Miami in 1972, the Mardi Gras ran aground with 300 journalists on board, but, fortunately, neither the ship nor Arison’s business concept was severely damaged. Embarking from Miami to such destinations as Jamaica, Puerto Rico, and the U. S. Virgin Islands, the Mardi Gras soon became successful. Over time, Arison added not only ships but also whole cruise lines to his fleet. Today, each brand operates primarily in a designated area of the world and is differentiated from other Carnival brands in two ways: ( 1) in terms of geographically pertinent themes ( based in Italy, for instance, Costa boasts a Mediterranean flavor); and ( 2) in terms of cost per cruise (the cost per night on Cunard and Seabourne cruises is much higher than that on Carnival cruises). Doing Business in International Waters Given the nature of its business, it should come as no surprise that Carnival— indeed, the whole cruise- line industry— is international in scope. Take the nationality of competitors. Companies can obtain so- called flags of convenience from about 30 different countries. Here’s how the process works. By registering as, say, a Liberian legal entity, a company can take advantage of lower taxes and less stringent employment rules. Legally, Carnival is a Panamanian company, even though it’s listed on the New York Stock Exchange, has operating headquarters in Miami, and caters mainly to passengers who set sail from the United States. Although cruise- line revenue is subject to neither Panamanian nor U. S. income taxes, Carnival does have to pay substantial “ port fees” wherever its ships drop anchor. Only a few cruise- line offerings— such as excursions along the Mississippi River, around the Hawaiian Islands, or among the Galapagos Islands— can be characterized as purely domestic. Even trips from the U. S. West Coast to Alaska are “ international” because they stop in Canada. By far the most popular destination for cruise passengers is the Caribbean/ Bahamas, largely because the area boasts balmy weather year round. During summer months, Carnival shifts some of its ships from Caribbean/ Bahamas to Alaskan and Mediterranean routes. Obviously, cruise ships go only where there are seaports, but Carnival cooperates with ( and owns some) tour operators who provide almost 2,000 different onshore excursions ( for additional fees). Carnival estimates that half its passengers to the Caribbean take shore excur-sions to such sightseeing attractions as the Mayan ruins in Belize. Passengers on Carnival’s Princess Lines, which serves Alaska, can helicopter to a glacier for a little dogsledding. What It Takes to Operate a Cruise Line Ship Shopping Not surprisingly, ships constitute the biggest investment for cruise lines. Shipyards in several countries— including Finland, France, Germany, Italy, Japan, and South Korea— are capable of building ships that meet cruise- industry needs. To add to its global fleet, Carnival secures bids from all over the world. Because shipbuilding employs so many people and uses so much locally produced steel, governments often subsidize the industry— a practice that works to the benefit of the cruise- line industry by offering less expensive prices for ships. For instance, the Italian government awarded the shipyard Fincantieri about $ 50 million in subsidies to build five ships sold to Carnival for $ 2.5 billion for a 2010 and 2011 delivery. Where to Find Able- Bodied Seamen Shipping companies— including cargo and cruise lines— scour the world for crew members who not only can perform specialized tasks but who are properly certified ( by international agreement, a registered crew member can enter virtually any port in the world). Cruise lines, of course, have special staffing needs— notably, crew who can interact with passengers. About a third of all the world’s ship crews are from the Philippines, not only because of reasonable labor costs but because Filipinos are generally fluent in English. On a typical Carnival ship, crew members hail from over 100 countries, and Carnival maintains a range of employee- training programs, including instruction in English as a foreign language. Casinos and Other Amenities Although Carnival has thrived with the concept of informal cruises for a mass market, each of its cruises offers one or two formal nights per week; theme- based dinners centering on national cuisines; a variety of musical entertainment, games and contests; and spas and athletic facili-ties. Because cruises operate outside the jurisdiction of any national authority, they’re not sub-ject to any national laws restricting gambling. Casinos, therefore, are onboard fixtures. Passengers can also shop for merchandise from all over the world. Indeed, art deal-ers occasionally hold shipboard auctions and seminars, and one dealer sells about 300,000 pieces of art per year on cruise ships. As you might expect, the pricier the cruise, the pricier the average objet d’art. The Overseas Environment Because Carnival operates around the world, it has the advantage of treating the whole world as a source of both customers and supplies. In addition, because its chief assets are ocean borne, Carnival can ship capital and other assets to places where they can best serve the com-pany’s needs. However, it’s also vulnerable to a wide range of environmental disturbances. Let’s take a look at a few of these. Political Issues After terrorists seized a cruise ship in the Mediterranean in 1985, the major cruise lines insti-tuted a policy of strict security checks for boarding passengers. Even before 9/ 11, then, the cruise- line industry has had in place a security protocol that the airline industry didn’t estab-lish until afterward. In the wake of 9/ 11, when cancellations started to exceed bookings, Carnival increased the number of U. S. ports from which its ships embarked so that passengers with a height-ened fear of flying could reach points of departure by land. Carnival also redeploys cruises to avoid areas in which passengers might face danger from political upheaval or crime, such as suspending cruises to St. Croix in the U. S. Virgin Islands because of its high crime rate. Further, Carnival does not stop in Cuba, a popular tourist destination, because the U. S. gov-ernment limits travel there by U. S. citizens. Health Issues In 2006, almost 700 people on a Carnival transatlantic cruise were stricken with a virus that caused diarrhea and vomiting, a type of outbreak that had occurred sporadically in the past. Cruise operators have found these outbreaks hard to control because of the close contact among people on board a ship. More than once, Carnival has had to take an infected ship out of service to eradicate all traces of the virus; the process involves sanitizing every object on board, down to the poker chips. When the H1N1 flu ( swine flu) hit Mexico in 2009, Carnival modified itineraries temporarily to avoid Mexican ports. Economic Issues Buying a cruise is generally considered discretionary rather than priority spending. During recessions, people are more apt to take shorter cruises and to embark from nearby ports rather than flying to faraway points of departure. Interestingly, however, in comparison with other segments of the tourist industry, cruise lines have fared well during economic down-turns. Why? This is due in part to their all- inclusive per diem prices that are often bargains when compared with the cost of travel to major cities and popular resorts. In addition, fixed cruise- line prices spare passengers the added risk of encountering unforeseen unfavorable exchange rates. Nevertheless, in 2009, Carnival offered discounts because of the global recession, which attracted more passengers but lower profits. But there is some concern in the industry over uncertain gasoline prices and mortgage interest rates, which might leave more households with too little discretionary income for tak-ing cruises. In addition, oil price increases have upped Carnival’s fuel costs at a time when many potential passengers want lower prices. The Weather Whenever there are hurricanes, Carnival may have to cancel trips, switch embarkation points ( e. g., from Galveston to Houston for six weeks in 2008 because of Hurricane Ike), or change destinations. Typically, passengers on canceled trips received full refunds and those on short-ened cruises partial refunds. Concluding Remarks Overall, the outlook for Carnival and the cruise- line industry is sunny. With prospects for grow-ing incomes ( despite a global recession) in many countries ( such as China), more people will have discretionary income to spend on tourism. Only 16 percent of the U. S. population has yet to take a cruise— a potential two- edged sword. On the one hand, this number indicates growth potential. On the other hand, people who have taken a cruise continue to be repeat customers, and the percentage of first- time customers is in fact declining. On the downside, then, industry observers worry that experienced cruisers will tire of visiting one port that’s pretty much like another and that noncruisers will still prefer such destinations as resorts to ports of call.

QUESTIONS

1. What global forces have contributed to the growth of the cruise- line industry?

2. What specific steps has Carnival Cruise Lines taken to benefit from global social changes?

3. What are some of the national differences that affect the operations of cruise lines?

4. Although most cruise- line passengers are from the United States, the average number of annual vacation days taken by U. S. residents is lower than that of workers in most other high- income countries ( 13 days, compared with 42 in Italy, 37 in France, 35 in Germany, and 25 in Japan). How might cruise lines increase sales to people outside the United States?

5. What threats exist to the future performance of the cruise- line industry and, specifically, of Carnival Cruise Lines? If you were in charge of Carnival, how would you ( a) try to prevent these threats from becoming reality and ( b) deal with them if they were realized?

 

6. Discuss the ethics of cruise lines regarding the avoidance of taxes while buying ships built with governmental subsidies.

A Literacy Narrative

For your assignment that is

Read “Mother Tongue” – pp. 649-655 in Norton

A literacy narrative needs vivid detail to bring it to life.  What main kind of detail does Amy Tan use in her essay?  Point to two of her details that strike you as especially interesting and revealing, and explain why they do.

Make sure you answer all parts of the question. Use MLA format, and use quotes from the article to reinforce your argument.  Be sure to cite your examples using in-text citations (see correct MLA formatting).

Make sure you save your essay as a Word document Your response should be at least two type-written pages (not including Works Cited page)

Mother Tongue, by Amy Tan

I am not a scholar of English or literature. I cannot give you much more than personal opinions on the English language and its variations in this country or others.

I am a writer. And by that definition, I am someone who has always loved language. I am fascinated by language in daily life. I spend a great deal of my time thinking about the power of language — the way it can evoke an emotion, a visual image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all — all the Englishes I grew up with.

Recently, I was made keenly aware of the different Englishes I do use. I was giving a talk to a large group of people, the same talk I had already given to half a dozen other groups. The nature of the talk was about my writing, my life, and my book, The Joy Luck Club. The talk was going along well enough, until I remembered one major difference that made the whole talk sound wrong. My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech, using the kind of English I have never used with her. I was saying things like, “The intersection of memory upon imagination” and “There is an aspect of my fiction that relates to thus-and-thus’–a speech filled with carefully wrought grammatical phrases, burdened, it suddenly seemed to me, with nominalized forms, past perfect tenses, conditional phrases, all the forms of standard English that I had learned in school and through books, the forms of English I did not use at home with my mother.

Just last week, I was walking down the street with my mother, and I again found myself conscious of the English I was using, the English I do use with her. We were talking about the price of new and used furniture and I heard myself saying this: “Not waste money that way.” My husband was with us as well, and he didn’t notice any switch in my English. And then I realized why. It’s because over the twenty years we’ve been together I’ve often used that same kind of English with him, and sometimes he even uses it with me. It has become our language of intimacy, a different sort of English that relates to family talk, the language I grew up with.

So you’ll have some idea of what this family talk I heard sounds like, I’11 quote what my mother said during a recent conversation which I videotaped and then transcribed. During this conversation, my mother was talking about a political gangster in Shanghai who had the same last name as her family’s, Du, and how the gangster in his early years wanted to be adopted by her family, which was rich by comparison. Later, the gangster became more powerful, far richer than my mother’s family, and one day showed up at my mother’s wedding to pay his respects. Here’s what she said in part: “Du Yusong having business like fruit stand. Like off the street kind. He is Du like Du Zong — but not Tsung-ming Island people. The local people call putong, the river east side, he belong to that side local people. That man want to ask Du Zong father take him in like become own family. Du Zong father wasn’t look down on him, but didn’t take seriously, until that man big like become a mafia. Now important person, very hard to inviting him. Chinese way, came only to show respect, don’t stay for dinner. Respect for making big celebration, he shows up. Mean gives lots of respect. Chinese custom. Chinese social life that way. If too important won’t have to stay too long. He come to my wedding. I didn’t see, I heard it. I gone to boy’s side, they have YMCA dinner. Chinese age I was nineteen.”

You should know that my mother’s expressive command of English belies how much she actually understands. She reads the Forbes report, listens to Wall Street Week, converses daily with her stockbroker, reads all of Shirley MacLaine’s books with ease–all kinds of things I can’t begin to understand. Yet some of my friends tell me they understand 50 percent of what my mother says. Some say they understand 80 to 90 percent. Some say they understand none of it, as if she were speaking pure Chinese. But to me, my mother’s English is perfectly clear, perfectly natural. It’s my mother tongue. Her language, as I hear it, is vivid, direct, full of observation and imagery. That was the language that helped shape the way I saw things, expressed things, made sense of the world.

Lately, I’ve been giving more thought to the kind of English my mother speaks. Like others, I have described it to people as ‘broken” or “fractured” English. But I wince when I say that. It has always bothered me that I can think of no way to describe it other than “broken,” as if it were damaged and needed to be fixed, as if it lacked a certain wholeness and soundness. I’ve heard other terms used, “limited English,” for example. But they seem just as bad, as if everything is limited, including people’s perceptions of the limited English speaker.

I know this for a fact, because when I was growing up, my mother’s “limited” English limited my perception of her. I was ashamed of her English. I believed that her English reflected the quality of what she had to say That is, because she expressed them imperfectly her thoughts were imperfect. And I had plenty of empirical evidence to support me: the fact that people in department stores, at banks, and at restaurants did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.

My mother has long realized the limitations of her English as well. When I was fifteen, she used to have me call people on the phone to pretend I was she. In this guise, I was forced to ask for information or even to complain and yell at people who had been rude to her. One time it was a call to her stockbroker in New York. She had cashed out her small portfolio and it just so happened we were going to go to New York the next week, our very first trip outside California. I had to get on the phone and say in an adolescent voice that was not very convincing, “This is Mrs. Tan.”

And my mother was standing in the back whispering loudly, “Why he don’t send me check, already two weeks late. So mad he lie to me, losing me money.

And then I said in perfect English, “Yes, I’m getting rather concerned. You had agreed to send the check two weeks ago, but it hasn’t arrived.”

Then she began to talk more loudly. “What he want, I come to New York tell him front of his boss, you cheating me?” And I was trying to calm her down, make her be quiet, while telling the stockbroker, “I can’t tolerate any more excuses. If I don’t receive the check immediately, I am going to have to speak to your manager when I’m in New York next week.” And sure enough, the following week there we were in front of this astonished stockbroker, and I was sitting there red-faced and quiet, and my mother, the real Mrs. Tan, was shouting at his boss in her impeccable broken English.

We used a similar routine just five days ago, for a situation that was far less humorous. My mother had gone to the hospital for an appointment, to find out about a benign brain tumor a CAT scan had revealed a month ago. She said she had spoken very good English, her best English, no mistakes. Still, she said, the hospital did not apologize when they said they had lost the CAT scan and she had come for nothing. She said they did not seem to have any sympathy when she told them she was anxious to know the exact diagnosis, since her husband and son had both died of brain tumors. She said they would not give her any more information until the next time and she would have to make another appointment for that. So she said she would not leave until the doctor called her daughter. She wouldn’t budge. And when the doctor finally called her daughter, me, who spoke in perfect English — lo and behold — we had assurances the CAT scan would be found, promises that a conference call on Monday would be held, and apologies for any suffering my mother had gone through for a most regrettable mistake.

I think my mother’s English almost had an effect on limiting my possibilities in life as well. Sociologists and linguists probably will tell you that a person’s developing language skills are more influenced by peers. But I do think that the language spoken in the family, especially in immigrant families which are more insular, plays a large role in shaping the language of the child. And I believe that it affected my results on achievement tests, I.Q. tests, and the SAT. While my English skills were never judged as poor, compared to math, English could not be considered my strong suit. In grade school I did moderately well, getting perhaps B’s, sometimes B-pluses, in English and scoring perhaps in the sixtieth or seventieth percentile on achievement tests. But those scores were not good enough to override the opinion that my true abilities lay in math and science, because in those areas I achieved A’s and scored in the ninetieth percentile or higher.

This was understandable. Math is precise; there is only one correct answer. Whereas, for me at least, the answers on English tests were always a judgment call, a matter of opinion and personal experience. Those tests were constructed around items like fill-in-the-blank sentence completion, such as, “Even though Tom was, Mary thought he was –.” And the correct answer always seemed to be the most bland combinations of thoughts, for example, “Even though Tom was shy, Mary thought he was charming:’ with the grammatical structure “even though” limiting the correct answer to some sort of semantic opposites, so you wouldn’t get answers like, “Even though Tom was foolish, Mary thought he was ridiculous:’ Well, according to my mother, there were very few limitations as to what Tom could have been and what Mary might have thought of him. So I never did well on tests like that

The same was true with word analogies, pairs of words in which you were supposed to find some sort of logical, semantic relationship — for example, “Sunset is to nightfall as is to .” And here you would be presented with a list of four possible pairs, one of which showed the same kind of relationship: red is to stoplight, bus is to arrival, chills is to fever, yawn is to boring: Well, I could never think that way. I knew what the tests were asking, but I could not block out of my mind the images already created by the first pair, “sunset is to nightfall”–and I would see a burst of colors against a darkening sky, the moon rising, the lowering of a curtain of stars. And all the other pairs of words –red, bus, stoplight, boring–just threw up a mass of confusing images, making it impossible for me to sort out something as logical as saying: “A sunset precedes nightfall” is the same as “a chill precedes a fever.” The only way I would have gotten that answer right would have been to imagine an associative situation, for example, my being disobedient and staying out past sunset, catching a chill at night, which turns into feverish pneumonia as punishment, which indeed did happen to me.

I have been thinking about all this lately, about my mother’s English, about achievement tests. Because lately I’ve been asked, as a writer, why there are not more Asian Americans represented in American literature. Why are there few Asian Americans enrolled in creative writing programs? Why do so many Chinese students go into engineering! Well, these are broad sociological questions I can’t begin to answer. But I have noticed in surveys — in fact, just last week — that Asian students, as a whole, always do significantly better on math achievement tests than in English. And this makes me think that there are other Asian-American students whose English spoken in the home might also be described as “broken” or “limited.” And perhaps they also have teachers who are steering them away from writing and into math and science, which is what happened to me.

Fortunately, I happen to be rebellious in nature and enjoy the challenge of disproving assumptions made about me. I became an English major my first year in college, after being enrolled as pre-med. I started writing nonfiction as a freelancer the week after I was told by my former boss that writing was my worst skill and I should hone my talents toward account management.

But it wasn’t until 1985 that I finally began to write fiction. And at first I wrote using what I thought to be wittily crafted sentences, sentences that would finally prove I had mastery over the English language. Here’s an example from the first draft of a story that later made its way into The Joy Luck Club, but without this line: “That was my mental quandary in its nascent state.” A terrible line, which I can barely pronounce.

Fortunately, for reasons I won’t get into today, I later decided I should envision a reader for the stories I would write. And the reader I decided upon was my mother, because these were stories about mothers. So with this reader in mind — and in fact she did read my early drafts–I began to write stories using all the Englishes I grew up with: the English I spoke to my mother, which for lack of a better term might be described as “simple”; the English she used with me, which for lack of a better term might be described as “broken”; my translation of her Chinese, which could certainly be described as “watered down”; and what I imagined to be her translation of her Chinese if she could speak in perfect English, her internal language, and for that I sought to preserve the essence, but neither an English nor a Chinese structure. I wanted to capture what language ability tests can never reveal: her intent, her passion, her imagery, the rhythms of her speech and the nature of her thoughts.

Apart from what any critic had to say about my writing, I knew I had succeeded where it counted when my mother finished reading my book and gave me her verdict: “So easy to read.”

 

Reader Response Question

Type your answers using MLA format. Make sure you answer all parts of the question. Your answer for each question should be at least one page in length.

A literacy narrative needs vivid detail to bring it to life. What main kind of detail does Amy Tan use in her essay? Point to two of her details that strike you as especially interesting and revealing, and explain why they do.